His music attends to ambiguous affective states, such as boredom, and the ways our experience of time is shaped through variation and repetition. His work ranges from orchestral and chamber music for concert performance to multi-modal installation, and has been presented by leading artists, ensembles, and institutions across Aotearoa, Asia, and Europe.
His music attends to ambiguous affective states, such as boredom, and the ways our experience of time is shaped through variation and repetition. His work ranges from orchestral and chamber music for concert performance to multi-modal installation, and has been presented by leading artists, ensembles, and institutions across Aotearoa, Asia, and Europe.